{"id":2577,"date":"2023-11-09T08:17:57","date_gmt":"2023-11-09T08:17:57","guid":{"rendered":"https:\/\/makingmaterials.cmic.polimi.it\/?page_id=2577"},"modified":"2023-11-09T08:20:40","modified_gmt":"2023-11-09T08:20:40","slug":"melissa-mazzitelli-alumnus","status":"publish","type":"page","link":"https:\/\/makingmaterials.cmic.polimi.it\/en\/il-team\/melissa-mazzitelli-alumnus\/","title":{"rendered":"Melissa Mazzitelli"},"content":{"rendered":"
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melissa mazzitelli<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Circular MAT (Materials Advisor Tool). Sviluppo di uno strumento a supporto del pensiero critico nella selezione materica per la transizione circolare della moda.<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Diversamente dai i suoi contemporanei, Adolf Loos sosteneva che la moda, nella sua espressione pi\u00f9 pura, fosse scevra di cambiamenti: durevole. Tale caratteristica risuona oggi pi\u00f9 necessaria che mai in un settore caratterizzato da prodotti usa e getta la cui fabbricazione causa preoccupazioni ambientali globali. La figura del designer risulta centrale nell’adozione di un modello economico circolare in quanto responsabile della selezione materica, risultata determinante nelle analisi LCA. Circular MAT nasce con l’obiettivo di supportare il designer in una selezione materica consapevole, condensando in un linguaggio visivo la letteratura scientifica che indaga i diversi impatti ambientali dei prodotti della moda.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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contacts<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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POLITESI<\/span><\/a><\/p>

Linkedin<\/span><\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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keywords<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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moda<\/p>

circular economy<\/p>

selezione di materiali<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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melissa mazzitelli Circular MAT (Materials Advisor Tool). Sviluppo di uno strumento a supporto del pensiero critico nella selezione materica per la transizione circolare della moda. Diversamente dai i suoi contemporanei, Adolf Loos sosteneva che la moda, nella sua espressione pi\u00f9 pura, fosse scevra di cambiamenti: durevole. Tale caratteristica risuona oggi pi\u00f9 necessaria che mai in […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":288,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"yoast_head":"\nMelissa Mazzitelli - Making Materials<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/makingmaterials.cmic.polimi.it\/en\/il-team\/melissa-mazzitelli-alumnus\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Melissa Mazzitelli - Making Materials\" \/>\n<meta property=\"og:description\" content=\"melissa mazzitelli Circular MAT (Materials Advisor Tool). Sviluppo di uno strumento a supporto del pensiero critico nella selezione materica per la transizione circolare della moda. Diversamente dai i suoi contemporanei, Adolf Loos sosteneva che la moda, nella sua espressione pi\u00f9 pura, fosse scevra di cambiamenti: durevole. 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